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Forest Stewardship and Education Centre wins Environmental Design Award

Bill Fisch Forest Stewardship and Education Centre built to world’s strictest environmental standards

By Sarah Hicks

Walking through the Hollidge Tract of the York Regional Forest today it is difficult to believe that a century ago it was a treeless wasteland. Yet as recently as the early 1900s, in York Region as well as other parts of Ontario, vast swaths of forested land cleared for farming in the 1700’s had become unproductive. The trees, soil and agricultural livelihoods were gone and once thriving farms had become barren, desolate landscapes.

In the 1920s, a groundswell of concern from landowners, foresters, Councils and Associations urged the government to enact legislation and the Reforestation Act of 1921 was passed to enable the Minister of Lands and Forests (now the Minister of Natural Resources and Forestry) to enter into agreements with County governments to reforest and manage lands owned by the Counties. In 1924, the York County Forest became the second Agreement Forest.

Since that time, the management structure of York Regional Forest has evolved, but property purchases and land donations to the York Regional Forest continue to this day, increasing forest cover in York Region and expanding the York Regional Forest which is now comprised of 2200 hectares (5500 acres) of land in 20 different tracts across York Region. This story is one of the most successful forest regeneration projects in the world. Today the York Regional Forest is recognized as Canada’s first public forest to be certified by the Forest Stewardship Council (FSC).

The new Bill Fisch Forest Stewardship and Education Centre (BFFSEC) integrates seamlessly with the surrounding forest. It is a one-of-a-kind building and an important part of the Centre’s educational mandate. Though most people on staff at the facility consider the forest the real classroom, the Centre provides essential meeting space for the many programs hosted there. It also has a boardroom and hoteling stations for York Region staff and a fully accessible washroom with an outside door to serve existing events and recreational use of the forest when the Centre is not open.

York Region working with DIALOG, the project architect, brought together a unique, interdisciplinary team that not only included architects, engineers, and interior designers, but also forest education experts, arborists and ecologists. “We wanted to create a building that could function like a forest ecosystem, be an integral part of nature and enhance it,” says Craig Applegath, DIALOG Principal-in-Charge. The team developed a holistic design solution with several key goals: the project would restore natural habitats and surrounding ecosystems, generate its own clean energy and water, and engage, educate and connect the community with the Hollidge Tract forest.

A single-storey, 4,000 square foot space for education, corporate and community meetings, and operations, the Education Centre is adjacent to one of the first nature trail loops constructed to meet the Built Environment Standard of Accessibility for Ontarians with Disabilities Act, 2005. The Education Centre has targeted LEED® Platinum certification and is also expected to be recognized as the first Living Building ChallengeTM (LBC) certified project in Ontario.

The use of wood in the building’s design is central to its performance and appropriate to its function as a Forest Education Centre. The structure was built almost entirely of laminated and Cross-Laminated Timber (CLT), all of which sustainably harvested and FSC certified. CLT is the only fully renewable heavy-duty building material, and the production of CLT emits a small fraction of the carbon emitted in the production of other common construction materials. In addition to providing a quality finish and being very durable, CLT also uses significantly fewer chemical compounds, and simultaneously sequesters and stores significant amounts of carbon.

The Centre was also designed and constructed for easy disassembly so in the future when BFFSEC comes to the end of its useful life (100 years or so), the building materials can be repurposed, just as the Centre’s exterior wood cladding was salvaged from old local buildings that were taken down and repurposed in this building.

Recent winner of a Wood Design Award for Environmental Building, the Centre is the quintessence of sustainable construction. “Wood construction has significant environmental advantages over competing materials,” says Marianne Berube, Executive Director of Ontario Wood WORKS! and creator of the awards program. “It enhances the performance of any building by reducing energy use, reducing resource use, minimizing pollution and sequestering carbon.”

This project pushes the boundaries on the use of wood with the integration of CLT for use as walls and roof structural panels.

The BFFSEC is expected to achieve ‘net zero’ water and ‘net positive’ energy performance. The facility relies exclusively on water provided by nature. Rain, collected in a trough that cleaves the asymmetrical butterfly roof, flows into a cistern that provides water for toilets and urinals, while groundwater wells supply UV filtered water for sinks and showers. Waste water passes through a treatment system which relies on aerobic and anaerobic bacteria and a biofilter to cleanse it of pollutants. The forested location of the building makes this process possible.

With its high performance building envelope, roof-mounted photovoltaic panels, heat recovery ventilators, in-floor heating, LED lighting, and extensive envelope commissioning, the BFFSEC will generate more energy than it uses, feeding renewable power back into the electrical grid.

“The building exceeds our expectations,” says Ian Buchanan, Manager of Natural Heritage and Forestry.“A decade ago I might have envisioned the centre as a log cabin in the woods, but what we have in this building is a log cabin of this century, built on a foundation of new technology. It is a beautiful and inspirational wood building in a forest setting. You don’t have to know the technology to see how this building fits into the forest.”

Sarah Hicks is the Communications Manager of Ontario Wood WORKS! /a program of the Canadian Wood Council

Green features of the building include:

  • Net-zero water performance:Rainwater is harvested from the roof for use in toilets and urinals, while a system of groundwater wells and UV filtration provides water for sinks and showers. The wastewater treatment system incorporates both aerobic and anaerobic bacteria and a bioswale.
  • Net-positive energy performance:With the combination of a high-performance building envelope to reduce heating and cooling loads, a roof-mounted 35 kW solar panel array to generate renewable energy, and energy reduction strategies such as heat recovery ventilation and LED lighting, the building should succeed in hitting its annual energy use target of 40,000 kWh or less.
  • Innovative use of wood:All of the wood used in the project was sustainably harvested or recycled. The building design incorporates Cross-laminated timber (CLT), which limits the use of chemical compounds, while sequestering and storing carbon.

Homebuilders Recognized for Building Green

 

Net Zero and ENERGY STAR Qualified Homes in the Spotlight

EnerQuality announced the 2015 EnerQuality Award winners at a sold-out gala in Toronto. Each year the awards are presented to builders committed to building energy efficient and sustainable homes.

The ENERGY STAR® for New Homes Builder of the Year – Large Volume award was given to Mattamy Homes, Canada’s largest home builder, who earned the achievement for the third time. Mattamy Homes was one of the first builders to participate in the ENERGY STAR program, which has become the most successful green building program in Canada. Today, 32 per cent of all new homes built in Ontario are ENERGY STAR qualified.

Two Oshawa based builders walked the green carpet. Midhaven Homes received the ENERGY STAR for New Homes – Mid Volume award and Jeffery Homes received the ENERGY STAR for New Homes – Small/Custom award.

The Minto Group was awarded Ontario Green Builder of the Year for a second year in a row. The award is presented annually to a builder that raises the bar for the rest of the industry through its leadership in improving the environmental, energy efficiency, and overall image of the industry.

Reid’s Heritage Homes took home the inaugural Net Zero Builder of the Year award. Net Zero homes are energy self-sufficient and are designed to produce at least as much power as they consume. Reid’s Heritage Homes was also the recipient of the Building Innovation – Low Rise award, and the Best Green Marketing Campaign of the Year, for their efforts to educate home buyers.

Tridel, the largest builder of condominiums in the Toronto area, was awarded the inaugural award for Building Innovation – Mid and High Rise. The award recognizes technical excellence in energy efficient and green building practices, which is key to achieving more sustainable communities.

Andy Goyda, Canadian Builder Lead and Market Development Manager for Owens Corning Canada was inducted into theEnerQuality Hall of Fame. The award is presented to an individual who, over the course of their career, has made a lasting impact on energy efficiency and green building in the housing industry. Mr. Goyda has been influential in the residential industry for 40 years, including his pioneering support of ENERGY STAR for New Homes and Net Zero. His leadership has helped Ontario’s home building industry become the most energy efficient in Canada.

Sonja Winkelmann, Director of Net Zero Energy Housing for the Canadian Home Builders’ Association was recognized as EQ Leader of the Year.

“Ontario’s homebuilding industry has a commendable track record of creativity and innovation,” said Corey McBurney, President of EnerQuality, “ENERGY STAR for New Homes is a success story that all Ontarians should be proud of, proving that voluntary, builder-led initiatives work.”

The awards show followed the EnerQuality Housing Innovation Forum, where a sold out audience discussed the future of green building in Ontario. In the closing keynote conversation, Dr. Dianne Saxe, Environmental Commissioner of Ontario, and Mr. Peter Gilgan, Founder and CEO of Mattamy Homes and member of Ontario’s Climate Action Group, discussed the future of homebuilding in light of Ontario’s new Climate Change Strategy.

The complete list of winners in  The Minto Group – Ontario Green Builder of the Year

  • Tridel – Building Innovation  (Mid and High Rise)
  • Reid’s Heritage Homes–  Building Innovation (Low Rise)
  • Mattamy Homes – ENERGY STAR® for New Homes Builder of the Year (Large Volume)
  • Midhaven Homes – ENERGY STAR® for New Homes Builder of the Year (Mid Volume)
  • Jeffery Homes – ENERGY STAR® for New Homes Builder of the Year (Small/Custom)
  • Reid’s Heritage Homes – Net Zero Builder of the Year
  • Reid’s Heritage Homes– Best Green Marketing Campaign of the Year
  • 4syte Design Build – Best Green Renovation Project of the Year
  • John Corvinelli – ENERGY STAR® for New Homes Champion of the Year
  • Stephen Magneron – Evaluator of the Year
  • RND Construction – R-2000 Builder of the Year
  • Andy Goyda– Hall of Fame
  • Sonja Winkelmann– EQ Leader of the Year
  • Union Gas, Owens Corning Canada, Enbridge Gas Distribution– EQ Industry Partners of the Year
  • Fernbrook Homes– Enbridge Savings by Design Award

Also returning to the forum this year was the Innovation Gauntlet – a Dragon’s Den-style competition where industry manufacturers and organizations pitched their smartest, most innovative products and services to a panel of judges. The Innovation Gauntlet winner is chosen live by the audience. This year’s Innovation Gauntlet award was presented to LiteBuilt for their concrete “LITEBOK” building system – an environmentally friendly, interlocking building block that is ideal for taller buildings.

Double duty

Unique solar installation system on brownfield site increases productivity of property

The concept makes perfect sense to Bill Panagiotakopoulos and the Owner/CEO of Cardinal Group Inc. aims to share his vision with the world.

He knows that over the past decade the solar energy industry has been growing exponentially, gaining in popularity along the way. He realizes that thousands of projects, both residential and commercial, have been popping up globally, putting a spotlight on a once-novel technology.

But he has also noticed that, lately, while the commercial solar sector is growing, the social consciousness seems to be lessening. And he says that people are becoming conflicted each time they see another green space, like a farm or field, covered in solar panels.

“It’s challenging people’s notions about how environmentally-friendly solar energy really is,” he says.

But Panagiotakopoulos believes he has the perfect answer for those concerned about solar. And he’s tackled a project that more than supports his claim. The concept involved transforming a brownfield property with a poor environmental record into a renewable energy centre, while maintaining its commercial use as a recycling centre.

He did this, he says, because he believes the future of renewable energy is not only in multi-megawatt solar farms, but in the union of renewable energy installations combined with commercial operations.

“The installation is the largest elevated solar tracking system on an industrial brownfield in Canada,” he says. “We show that it is possible to generate a second source of revenue from the same piece of land.

“Although there are larger solar installations on fields, farms and other green spaces, this is the largest to be placed on an operating industrial property.”

His interpretation of the Ontario Power Authority’s Feed-In Tariff (FIT) program is that solar farms should be put on brownfields and industrial parks. He’d like to see others follow suit, with similar installations done rather than covering green land and limited its use to solar power generation, and solar power generation only.

“People in our industry and those outside it both seem awestruck when they see that it’s possible to have two very different commercial operations on one property,” he says. “But they can.”

The design and technical specifications of Cardinal Group’s solar installation – located off Highway 6 in the Township of Flamborough in Hamilton Ontario – is unique in that it occupies a position on the industrial property that was not used previously. Utilizing the Sonnen Tracking Systems, the solar panels move, guaranteeing the maximum, most-efficient power generation. The dual-axis photovoltaic tracking systems align the solar panels to the optimum angle to the sun for power generation. This process allows the energy usually generated using static photovoltaic panels to be increased by as much as 45 per cent.

Putting them in brownfields and commercial industrial parks makes perfect sense, says Panagiotakopoulos.

“Those kinds of locations are heavy consumers of electric power and thus should be encouraged to generate what they can right on the properties,” he says. “Putting this style of solar installation there reduces the demand on the grid and, consequently, makes the most efficient use of the FIT electrical generation.

His goal for this type of photovoltaic installation is for it to be recognized across Ontario, Canada and the world, so that others can understand the benefits of solar energy on their commercial/industrial properties.

He understands that this model is more costly, but strongly believes that the benefits and increased production of the Sonnen System Trackers far outweigh the extra expenditures.

“The project has already doubled the productivity of the property.”

Web/ cardinalgroupinc.com / sonnensystems.com

Heartwood the Beach

Toronto’s first wood-frame condo development features character and sustainability

Toronto is known as a city with a vibrant, cross-cultural population mix, but that penchant for diversity is now extending into the housing market as well.

With the construction of Heartwood the Beach Condos, the traditional all-concrete building model will be eschewed in lieu of the city’s first six-storey wood-frame development.

The collection of 40 luxury suites being built at the northeast corner of Woodbine Avenue and Queen Street is being undertaken by Fieldgate Urban, with Hullmark Developments. And Quadrangle Architects were brought on board to design the residential building.

Quadrangle, known for their industry leadership in mid-rise development, also advocate wood construction and were recently awarded the 2015 Wood Advocate Award by WoodWORKS! Ontario.

“It’s always interesting to be working on a new typology,” says Richard Witt, Principal at Quadrangle. “When almost all multi-unit residential buildings in Toronto are concrete, envisioning one in such a naturally beautiful material as wood is very exciting. The sustainability benefits of the product combined with the exposed character and warmth of ceilings and walls within the unit are a completely new option for home buyers.”
Kitchen
The units range from 900 square feet to 1,600 square feet and will include spacious balconies, with a 6,000-foot retail space at ground level.

Quadrangle designed the architecture and the interior design of the building to showcase the elegance of wood-frame construction. Expansive glazing should draw attention to the rich wood interiors that will feature exposed wood ceilings and exposed wood walls.

Wood-frame construction allows the delivery of a higher-quality, equally safe product in a faster time frame with a reduced environmental impact. A substantial portion of the wood components in Heartwood the Beach – floor and wall slabs as well as the exterior – will be prefabricated and assembled onsite. Prefabrication ensures higher quality construction while cutting costs by reduced construction time and onsite accidents.

The skeleton of Heartwood The Beach will be constructed using cross laminated timber (CLT), a strong and lightweight material that exhibits superior thermal, acoustic, and seismic performance, as well as greatly improved fire resistance over basic timber. Unlike concrete and steel, the use of CLT generates very little waste on a construction site, another element in the product’s sustainability. The development will boast a green roof, further offsetting the development’s already minimal carbon footprint.

Bathroom

The project is located at a busy intersection, which makes for a shorter construction timeframe (aided by the prefab wood components) attractive. Not only is the use of wood expected to shorten construction by about four to six months, but it is expected to minimize the amount of disruptive construction that occurs on site. Construction is expected to be finished by early 2017.

Half of the construction time, says Witt, will be allotted to digging and pouring concrete foundations and the underground parking. Finishing will take less time. The speed will come from the use of cross-laminated timber, a strong and lightweight material that exhibits superior thermal, acoustic, and seismic performance, as well as greatly improved fire resistance over basic timber. Unlike concrete and steel, the use of CLT generates very little waste on a construction site, another element in the product’s sustainability. The development will boast a green roof, further offsetting the development’s already minimal carbon footprint.

Although the Ontario Building Code permits structures to be made from wood, it also requires the cladding to be non-combustible. Quadrangle used fibre cement panels. As such, Heartwood the Beach is a hybrid structure, with steel and concrete playing an important role, along with wood, to complete the design.

It is believed that using an engineered lumber product can withstand flame spread and its shrinkage is easier to predict and therefore to accommodate.

With the Heartwood the Beach project, Quadrangle hopes to show that there is an alternative material choice that is both warm and workable for creating sustainable mid-rise developments in the city.

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“Because of land availability and purchaser trends, there is a tendency at the moment towards an increasing amount of mid-rise building product in the Toronto condo market,” Witt says. “Wood offers the opportunity to deliver the project in a different way due to the factory assembled method of panelized wood production. As noted, this means faster installation, fewer street closures, cleaner and less noisy construction sites and ultimately less time.”

Web / quadrangle.ca / heartwoodthebeach.com

Pinnacle of energy efficiency

Owens Corning Canada and a team of 5 leading builders have partnered to build affordable net zero homes in 5 communities across Canada

The future is now for net-zero housing in Canada.

Owens Corning was the proponent of a national demonstration project launched by Natural Resources Canada (NRCAN) made possible through  funding from the federal government in 2011, to support energy technology innovation to produce and use energy in a clean and efficient way.  Owens Corning Canada worked with 5 leading builders in this project to design and build 20 net zero energy homes along with 1 net zero multi unit project in Canada.  The scope of the project was to design and build affordable net zero homes using current technologies with production builders in a community setting.

The five innovative builder partners were Mattamy homes with their net zero project in Calgary, Alberta, Reids Heritage Homes with their net zero project in Guelph Ontario, Minto Communities with their Net Project in Kanata, Ontario, Provident developments with their Net Zero Project in Bedford, Nova Scotia and Construction Voyer who built the first Net Zero Multi Unit (6 Plex) project in Laval, Quebec.

Each of the builders worked with Owens Corning, local energy consultants and experts to build affordable homes designed with sustainable features. Owens Corning helped the builders implement high performance building envelope systems in their designs to help them meet their goals bringing building science to the field in a house-as-a-system approach.

The learnings from this pilot project will allow builders to move to offering Net Zero ready as a standard which is the springboard to full Net Zero, providing Canadians with comfortable and energy efficient housing.

“Net-zero is the pinnacle of energy efficiency,” says Salvatore Ciarlo, Owens Corning’s National Technical Services & Specifications Leader, Canada. “It’s definitely the future of the Canadian housing industry. Net-zero homes provide the ultimate homeowner living experience.”

“Affordability is achieved through conservation first before generation,” says Ciarlo, noting that the key components of a NZE home are: outstanding insulation, a tight building envelope with high performance windows and, right-sized efficient mechanical systems for heating and cooling.  Then all we need are the renewables (solar panels) to generate the energy to offset what we the occupants are using to get to a zero annual energy bill (Net Zero).

“Owens Corning solutions help turn building science into building genius by addressing the three principal building science principles” says Andy Goyda, Owens Corning’s Market Development Builder Leader, Canada. “Those are heat flow, air flow and moisture flow, and they are dealt with in one application with Owens Corning’s innovative exterior Air Barrier System.”

All five builders across Canada opened their NZE homes in 2015. The goal wasn’t just to demonstrate that this building team was capable of building ONENZE home, but that it can build entire net zero communities in a large-scale setting at an affordable price.

Subsequently, Reid’s announced that, by the end of 2016, all future communities of their single detached homes will be solely NZE-ready homes, making them the first builder in Canada to make such a commitment. The company has a history of building energy-efficient homes, dating back to 2007, when it built the first LEED Platinum home in Canada.

“It’s not  question of if, but when, affordable NZE homes will be the standard.” Goyda stressed.

Web / owenscorning.ca

 

Treehouse

Up, up and away

Adventurous homeowner bucks tradition with unique treehouse dwelling

Photo credits JVL Photography

For 20 years, the owner of a beautifully-lush, heavily-wooded Ottawa property lived in a little bungalow surrounded by abundant foliage.

Then something happened that changed things forever … and Houry Avedissian, owner of Ha2 Architectural Design, was there for every step of the transformation.

“The owner, my client, has an outdoorsy, adventurous nature,” recalls Avedissian. “She wanted a new home on the very same property. So I came up with an idea, based on the wooded lot.”

That idea, to create a live-in treehouse dwelling to replace the existing house, took on a life of its own, it seems, as Avedissian was basically given carte blanche, and came up with a truly unique custom home.

The corner area it now sits on is surrounded by Spruce and Crabapple trees, virtually engulfing the bungalow that once lay beneath the overhanging branches. Avedissian created a symbiotic design that pushed the living experience up into the trees.

“We tore down the existing bungalow and created a far more spacious new two-floor detached home for the client and her partner to live, work and entertain in,” she says. “By locating the main living space on the second floor, we gave the client a fresh, new uplifting experience amidst the every-changing foliage of the trees.”

With two tall Spruce and four Crabapple trees, the home is right in the middle of branches, so that one can engage in the seasonal experience of the ever-changing leaves. The privacy provided, plus the south-facing cantilevered overhang that extends the dining room to the outside environment, serves as a shelter to the rain, while keeping the heat at bay during the summer and early fall months.

A visitor to the treehouse would see a contrasting, custom-designed steel, glass and concrete staircase up to the main living area on the second floor. The kitchen, dining and living rooms all flow into one another by way of a clear open concept. Adjacent to the living room, there’s a study separated by a low wall with custom-built cabinetry and sculptural shelving cubes. This design feature allows a visual barrier to delineate the space, as well as open the views for the entire house and glazed patio doors. To top it all off, the open concept is augmented by a see-through divide – a gas fireplace.

The experiment continues with the blending of inner and outer spaces, diverse, yet complementary textures, angles and rich colours. Contrasting materials and volumes balance the natural and refined with the rough and exposed as harmonious contemporary living spaces thrive among the naturally-evolving landscape that surrounds the house.

Environmentally-friendly touches are evident everywhere, with particular attention to the inclusion of wood products throughout.

“Inside, the materials were carefully selected to reflect the natural environment by using a rich palette of woods and veined marble tiles in earthy tones, reinforcing the concept both within and on the outside,” says Avedissian. “We were heavily inspired by the surrounding trees.”

To that end, Western Red Cedar (WRC) siding wraps the majority of the home’s exterior in a myriad of different applications such as knotty textured wood trellises that run both vertically and horizontally.

“Yes, wood is in the majority,” Avedissian says. “And while this is not a LEED project, nor a green project, per se, we did use sound principles to achieve efficient qualities.

“Mainly, it’s the southwestern orientation, with large overhangs and the location of operable windows for abundant air flow that heavily factored into the design to keep the heating and cooling costs to a minimum. That, plus we added environmentally-friendly insulation.”

Did you know? Cedar was used in four ways throughout the exterior and interior of the house. The main volume of the second floor is clad in vertically laid tongue and groove 1×5 WRC. Secondly the southwest elevation has 2×2 vertically installed (and spaced one inch apart) knotty grade WRC lattes to give it depth and texture. Within the balcony perimeter of the upper deck volume, again, 2×2 knotty grade cedar spaced one inch apart, is used, only this time, installed horizontally. And lastly, serving as the backdrop to the inner staircase wall is 1×5 tongue and groove.

Web / ha2d.comBC Passive House Plant

Photos courtesy of the Wood Design & Building Awards Program

Floating paradise

Zero-impact custom portable islands can be placed anywhere in the world

The age-old dream about ‘having your own private island’ has taken on a whole new meaning these days.

Up until recently, you’d probably need a top-shelf real estate agent to track down that little piece of heaven in some far-flung tropical locale.

But now, there is another way to make your dream come true – simply buy a man-made portable island.

The portable island concept has been developed with architect Koen Olthuis of Waterstudio.nl and water-based design specialists Dutch Docklands. The result? New luxury private islands that can give owners a secluded taste of paradise anywhere in the world.

Studies conducted over the past 10 years showed that the next trend in ultra-luxury real estate would be private islands, with the focus on more intimacy and lifestyle freedom.

Enter Olthuis and Dutch Docklands, who design the structure of each island. Buyers are then invited to customize the size, shape and style of their personal residence from scratch and choose where they want to be located.

Amillarah Private Islands Maldives

There are a number of initiatives in the works, but an introductory project, called The 5 Lagoons, features Dutch Docklands in a joint venture with the government of Maldives. They are master developers of the entire project and control the design, engineering, financing, construction and sales, with Waterstudio.nl as the architectural firm.

With privacy as the key, each island will have its own residence, garden, pool, beach, and more. And part of a new trend in green developments, says Olthuis in a published report, luxury and quality will be combined with a scarless, self-sufficient approach.

The customized concept is an important element, in that each owner is encouraged to jump in with both feet, right from the outset.

Previously, most traditional private islands tended to be isolated and difficult to reach, which made construction and maintenance expensive. The man-made model makes those disadvantages a thing of past.

Amillarah Private Islands Miami

The private islands can be placed virtually anywhere. With a combination of unique technology and craftsmanship, and detailed location studies, the exact methods for creating and mooring the islands will be determined. Using piles or cables, attention will be paid to have minimum impact to the sea bottom.

Designers say there is no environmental impact because each island will be completely self-sufficient and equipped with state-of-the-art green technology. Living with water, they say, creates sustainable long-term solutions that have zero impact on the environment.

The developers have partnered with the Ocean Futures Society – established by French conservationist Jean-Michel Cousteau, son of famous oceanographer Jacques Cousteau – to protect and enhance marine habitats under the islands. They will investigate new and better ways to enhance the reaction of artificial reefs below the islands.

Amillarah Private Islands Miami 3

In a published report, Cousteau said: “Our association makes sure that the ocean is being respected and that the environmental impact is near zero. To be able to protect the environment which will be under those structures is one of the most exciting times of my life.”

Free from environmental impact, and safe from rising sea levels, the islands will also create a new underwater habitat for sea life. Not only that, the social impact of the islands is also being considered, and floating schools, purification plants, housing and agriculture plots will be created alongside the luxury properties.

Moreover, a clear trend is also emerging to take the concept to another level – creating resorts that float on the water.

Waterstudio.nl, led by Koen Olthuis, specializes in architecture, urban planning and research related to living, working and recreation on water.

Amillarah Private Islands Miami 4Web / waterstudio.nl

Vincent Callebaut Architectures

Future watch

Fantasy letter by an ‘aquanaut’ teen born at an underwater farm off the coast of South America

Hi People of the Land. My name is Océane. I’m 15. I’m what they call an aquanaut teen. I was born in immersion in 2050 in an underwater farm called Aequorea off the coast of Rio de Janeiro. Bio-inspired, the farm draws its name from a bioluminescent, light-emitting jellyfish characterized by its articulated, webbed tentacles. These tentacles enable it to swim and ensure its stability, while producing its own energy.

My grandparents are oceanographers and architects. For the past 50 years, they’ve been participating in the collaborative construction of Aequorea. It’s a genuine underwater village printed in 3D from algoplast, a composite material they invented that mixes algae with garbage from the seventh continent. You know, the seventh continent? That infamous soup of plastics formed at the beginning of the century in the heart of the five main ocean gyres, where the Coriolis effect causes the currents to swirl.

AEQUOREA 16

In the 20th century, on Earth, every human was producing up to 10 times their weight in garbage annually. Two hundred and 69 million tons of plastic waste with a life expectancy of a thousand years were thus produced every single year, and more than 10 per cent of it was ending up in the oceans.

Well, my grandparents, together with a community of scientists, decided to extract value from this disgusting soup of petroleum-based waste by recycling it. They formed an NGO to defend an ethical approach to the oceans. As soon as 2015, they began the repurposing of plastic waste dumped by the People of the Land into impervious, durable materials.

Faced with climate change and the rise of water levels, a new civilization emerged: the People of the Seas. Once their lands and islands were under water and salinized, a large portion of the 250 million climate refugees got involved with interdependent NGOs like the one my grandparents created. Together, they invented new underwater urbanization processes that were energy self-sufficient, recycled all waste, and fought ocean acidification.

AEQUOREA 15

The People of the Seas’ objective? To explore the abyssal zones in a respectful way, in order to speed innovation and to massively democratize new renewable energies. This community fought the capitalist frenzy rubbing its hands at the idea of plundering the last petroleum, ore and methane resources through drilling and fracking natural habitats at great depths; to develop new scientific, energy, pharmacological and food resources unsuspected until then: such was their credo in 2015.

For the past 50 years, these inhabitants of the sea managed to revolutionize the way we live together through environmental resilience and intensive energy transition. They won the challenge of recycling 100 per cent of the seventh continent’s plastics into a sustainable habitat.

AEQUOREA 53

Each Aequorea village can welcome up to 20,000 aquanauts. Their main access is on the water surface, through four marinas covered with a mangrove rooted on a floating dome 500 metres (1,640 feet) in diameter. Modular living, co-working spaces, fab labs, recycling plants, science labs, educational hotels, sports fields, aquaponic farms and phyto-purification lagoons stack up layer by layer.

So let’s jump in the water! There’s no longer any need for scuba tanks to breathe underwater: put on your gill mask, designed to capture water and extract oxygen molecules; your microbead suit, like a dolphin skin; and your carbon fibre monofins inspired by whale tails!

AEQUOREA 50

There’s no more need for coal, oil, gas or nuclear energy to get light: we reproduce bioluminescence in the double glazing of our apartments, thanks to symbiotic organisms that contain luciferin which emits light through oxidation. On the ocean floor, a field of water turbines, shaped like volutes and laid out in a star pattern around an abyssal scientific base, turn the sea currents into electric energy. An ocean thermal energy conversion (OTEC) power plant completes the panel of energy supply.

In order to produce drinking water and fresh water for aquaculture, the OTEC power plant uses the in-depth pressure to counteract the osmotic pressure, and to separate the water from the salt via a semipermeable membrane. Air is renewed, either naturally by convection through wind chimneys innervating the four branches of each tower’s twist, or by the oxygen station via seawater electrolysis.

AEQUOREA 05

For heating and climate control, we no longer use fossil fuels. Rather, we use microalgae grown in aquarium walls, which absorb the carbon dioxide produced by people’s breathing. These green-algae-based bioreactors also recycle the liquid or solid organic waste, and produce energy through photosynthesis and biomethanation.

For food, we grow algae, plankton and mollusks rich in minerals, proteins and vitamins. Coral reefs are harvested on balconies, thus becoming nurseries for the aquatic fauna and flora. On the surface, the four large floating conch-like structures house community horticultural greenhouses, organic farming fields, orchards and vegetable gardens. We live from sustainable fishing in our apartments’ garden, i.e. the ocean.

We move around by ship or submarine, thanks to the algae fuel or hydrocarbons we produce free of greenhouse gas emissions. We make our biofuels by extracting hydrogen and carbon from seawater through osmotic pressure, then synthesizing them.

We study the molecules of living organisms to heal ourselves. We only use bio-based materials to lay out and furnish our apartments.

Oh, I almost forgot to tell you about the most important change! We went through a real economic Big Bang, because we also created a currency specific to marine urbanism: the Aequo. No more bosses. No more employees. We’re now all eco-conscious individual entrepreneurs.

Never forget this: oceans produce 50 per cent of our planet’s oxygen. They are its most active lung. It was really worth cleaning them, and fighting their acidification, thus re-enchanting our living together – don’t you think?

Aquatically yours,

Océane (Real name Marianne O’Donnell)
Trainee at Vincent Callebaut Architectures

Web / vincent.callebaut.org

Top of the world

Vertical village in Singapore turns isolation into horizontal connectivity

It’s quite a crowning achievement for German architect Ole Scheeren.

His project, a vertical village in Singapore named The Interlace, keeps picking up prestigious urban building awards.

Earlier this year, the large-scale residential development won the prestigious World Building of the Year award at the 2015 World Architecture Festival held in Singapore. More recently, The Interlace has been chosen by the Council on Tall Buildings and Urban Habitat in Chicago as winner of the inaugural worldwide Urban Habitat Award 2014, in recognition of its ground-breaking contributions to the urban realm and social sustainability. The project has also been awarded the Universal Design Mark Platinum Award and Green Mark GoldPlus Award from Singapore’s Building and Construction Authority.

The Interlace by OMA Ole Scheeren_13_photo Iwan Baan

“The Interlace opens a space of collective experience within the city and reunites the desire for individuality and privacy with a sense of togetherness and living in a community,” says Scheeren. “Social interaction is integrated with the natural environment in a synthesis of tropical nature and habitable urban space. The design generates a multiplicity of qualities and choices for its inhabitants – a sense of richness and freedom in the choices you make.”

The Interlace, a 170,000-square metre complex, features a network of living and social spaces within 31 apartment blocks stacked in a hexagonal arrangement around eight sizable courtyards.

Instead of following the default typology of housing in dense urban environments – clusters of isolated towers – the design turns vertical isolation into horizontal connectivity and reinstates the notion of community as a central issue in today’s society.

The 31 apartment blocks, each six stories tall, create a multitude of shared outdoor spaces, forming a dramatic topography of inhabitable terraced gardens across the stepped volumes. Partly resting, partly floating, the blocks hover on top of each other to form an expressive “interlaced” space that connects the individual apartments with an accessible and inclusive community life.

The development, which was completed in 2013, provides 1,040 residential units of varying sizes and prices. The unusual geometry of the hexagonally stacked building blocks creates a dramatic spatial structure populated by a diverse array of activity areas.

The blocks are arranged on four main “super levels” with three “peaks” of 24 stories. Other super level stacks range from six-18 stories to form a stepped geometry, resembling the dramatic topography of a landscape more than a typical building. Multi-story openings allow light and air to weave into and through the landscape of the courtyards.

The Interlace by OMA Ole Scheeren_01_photo Iwan Baan

Eight expansive courtyards and their individual landscapes are defined as the heart of the project and form distinct spatial identities. Each courtyard, spanning a distance of 60 metres across and extending further through the permeable interconnections, possesses a specific character and atmosphere that serves as a place maker and spatial identifier.

The primary pedestrian route through the project leads residents from the main entrance through and to the courtyards as primary points of orientation and identification – residents live in a courtyard, a space, rather than a building or an object. Pedestrian circulation is grouped and bundled according to the density of residents around each courtyard in a central “connector.” A system of secondary footpaths brings residents from the connector to the private front doors of their homes.

The Interlace by OMA Ole Scheeren_02_photo Iwan Baan

The notion of community life within a contemporary village is emphasized throughout the project by an extensive network of communal gardens and spaces. A variety of public amenities are interwoven into the landscape, offering numerous opportunities for social interaction and shared activities integrated with the natural environment.

A central square, theatre plaza, and water park occupy the more public and central courtyards and contain numerous shared amenity areas such as a clubhouse, function and games rooms; theatre, karaoke, gyms, and reading rooms; and a 50-metre lap pool and sun deck, family and children’s pools. Surrounding courtyards provide shaded outdoor play and picnic areas with lower blocks around its perimeter. Other courtyards offer residents further choices and areas in a more contemplative environment with additional swimming pools, spa gardens, and outdoor dining.

The Interlace by OMA Ole Scheeren_08_photo Iwan Baan

Multiple barbeque areas, tennis and multi-courts, organic garden, pet zone, and “the rock” line the perimeter of the project and offer a wide selection of communal activities for residents. A continuous loop around the site provides a running track and connects the ”internal” courtyards to the activities around the edge of the site.

The character of a vertical village embedded in a rich landscape of activities and nature is evident throughout the project. Elevated roof terraces and sky gardens extend outdoor space on multiple levels with views above the tree line to the surrounding courtyards, parks, sea, and city. The diversity of the various offerings and atmospheres of natural environment encourage social interaction with the freedom of choice for different gradients of privacy and sharing, contributing to the overall sense of community.

The Interlace by OMA Ole Scheeren_05_photo Iwan Baan

Sustainability features are incorporated throughout the project through careful environmental analysis and integration of low-impact passive energy strategies. A series of site-specific environmental studies, including wind, solar, and daylight analysis, were carried out to determine intelligent strategies for the building envelope and landscape design.

The landscape design capitalizes on the generous size of the eight-hectare site and further maximizes the presence of nature. By stacking the apartment blocks, the design generates a multiplication of horizontal surfaces populated by extensive roof gardens and landscaped terraces.

Water bodies have been strategically placed within defined wind corridors, which allow evaporative cooling to happen along wind paths, reducing local air temperatures and improving the thermal comfort of outdoor recreation spaces in strategic micro-climate zones.

The Interlace by OMA Ole Scheeren_06_photo Iwan Baan

Traffic and parking is accommodated in a single layer below the landscaped ground level. A large number of open-air voids allow light and air to the semi-sunken and fully naturally ventilated parking deck, creating areas of lush vegetation and trees below ground and connecting these spaces visually and through planting to the courtyards above.

All apartments receive ample levels of daylight throughout the day while the unique massing of the project provides a sufficient level of self-shading in the courtyards which helps maintain comfortable tropical outdoor spaces year-round and continuous usage of the courtyards and their communal functions.

Extensive balconies and protruding terraces form a cascading vertical landscape across the facades and further connect the green roofs and shared public terraces between the building volumes. Overall, the project appears not only surrounded by the tropical vegetation but embedded within it.

The Interlace by OMA Ole Scheeren_02_photo Iwan Baan

The highly efficient system of compact cores, minimal circulation, and maximized floor area allowed the project to be realized on a budget for reasonably priced private housing, within the competitive context of Singapore’s market.

Büro Ole Scheeren is an international architecture firm – with offices in Berlin, Beijing, Bangkok and Hong Kong – that practises architecture, urbanism, interior design, and research. The Interlace adds to Scheeren’s international portfolio of city-defining structures and cultural projects, with his current projects at Buro Ole Scheeren including an art center near the Forbidden City in Beijing; Angkasa Raya, a 268-metre tall building of floating rectangular volumes in the heart of Kuala Lumpur; DUO, a large-scale mixed-use development currently under construction in Singapore; and Mahanakhon, currently rising to become Bangkok’s tallest skyscraper.

Web / buro-os.com

 

 

 

Details, details

 

How to plan a successful virtual trade show – a guide for exhibitors

Yes, there are substantial savings when switching from traditional physical trade shows to virtual online alternatives – thousands of dollars to be exact.

But that doesn’t mean opting for a virtual event is a walk in the park. Planning and executing a virtual trade show, or online event, is not easy. In fact, it pays to do your homework and well worth the effort to give any virtual show the same level of attention as conventional fairs.

Although there is no physical contact, the virtual shows certainly offer participants the opportunity to connect with clients and business partners without having to meet them in person. As such, while saving time and money, they are able to promote their products or services, exchanging valuable information digitally.

But there still needs to be attention to detail. Successful online trade shows should offer the content, networking and product specifications associated with a traditional fair, with the added convenience, however, of access from any device, anywhere in the world.

If your company intends to set up a booth at a virtual fair, there is a checklist to follow. Sure, there aren’t any of the headaches inherent in traditional options – like booking airline flights, hotel stays, printing, and a myriad of other related expenses – but hosting a virtual booth still requires a marketing strategy.

Booth1

Here are a few considerations for those contemplating setting up a booth at a virtual show:

1) Establish goals: Before any plans are put in place, coordinate as a team exactly what you are trying to achieve. It’s the same principle as for a physical event. Next, flesh out the details.

2) Aesthetics: Take the time to create a visually appealing booth. It may not be a skillset your team has traditionally called upon, but good procedures are worth getting in place. Think colorful, high contrast, and high impact – work with the show’s managing director to determine the best way to grab browsers’ attention. Don’t forget to ask about the ‘add-ons’: additional promotional opportunities both inside and outside your booth. This can be anything from banners elsewhere within the virtual show to pre-event e-mail blasts, intended to make your participation even more personal and memorable. And make sure your logo is in a prominent place.

3) Prepare content: With a virtual event, there are fewer limitations to the quantity and quality of the content you can provide. Extended videos are just a click away for any virtual visitor. That said, you’re not just competing with other booths, but with an attendee’s day-to-day workload as well, and if you lose their attention for a moment, attendees can slip away. As such, a virtual booth does not mean you can scale back on the value proposition, but quite the opposite: content needs to be clearer and stronger than anywhere else.

4) Host a social booth: People will stay longer and engage more if attendees communicate with each other at your booth. Rally potential attendees on social media, encouraging them to explore your Facebook or LinkedIn presences. Offer anything from random prizes to advanced games. Provide your audience with a running start and they’ll be much more engaged with your conversations throughout your campaign. Attendees who have engaged will likely return to check buzz around your booth.

5) Give yourself enough time: Things don’t always progress at the pace you’d like. Whether it’s deliverables from an exhibitor, graphics from the creative agency or an e-mail list from your marketing department, insert sufficient wiggle room into the timeline. One of the biggest dangers of virtual event execution is the rush job to get to the finish line.

Before committing to a virtual trade show, however, you can get a feel for the experience by contacting the show’s managing director for more details or a demo walk-through. Once on board, all you’ll have to do is make a quick phone call to lay out the general design of the booth, and then you’ll be able to log in to the show, and upload information, including logos and company materials.

For additional information about the first Canadian virtual trade show for green and sustainable building, contact Executive Managing Director Giulio Marinescu at 416.250.0664.

Web / www.green-building-expo.com / giulio@green-building–expo.com