Australian architect Marshall Blecher and Danish architecture practice Studio Fokstrot have unveiled design for a new type of urban space for the harbour of Copenhagen, Denmark.
With Copenhagen Islands a new type of urban space is introduced to the harbour of Copenhagen. A ‘parkipelago’ of floating islands, creates endless possibilities for fun activities and daily exploration. The islands will be dispatched on suitable locations around the inner harbour, but also find their way to more forgotten and underused corners of the harbour, catalyzing life and activity. Hopefully giving back a little bit of space for whimsy and wonder to the old industrial harbour sides.
All of them will be free to be explored by the increasing number of kayaks, sailors, GoBoaters, tourists and fishermen in the harbour.
The intention is to renew the proud traditions of the Danish harbour life, by strengthening the social cohesion and awareness of the maritime life in, and around the harbour.
The activities and functions of each island are flexible, depending on its position in the harbour and the time of the year. The users of the islands are dictating the actual use of the island, and what functions to have.
The project, as a concept, is launched to create a stronger focus on an improved harbour environment, the global climate changes and the increased water levels – some of the biggest problems the world is facing today.
MASK Architects – Seoul Art and Photographic Museum
THE BIGGEST CAMERA ON PLANET EARTH IS IN SEOUL!
Isn’t
the purpose of a Photography Museum to celebrate Photography? So why not create
the biggest camera on planet Earth and celebrate the art of photography and the
city of Seoul with an installation of a rooftop ‘Camera Obscura’ that marries
past, present, and future into an experience that visitors will never forget.
Photography makes our memories valuable, fixing them for a moment, while life
keeps rolling rapidly in time. From digital to analogical, from microscopic
pictures to satellite images, Photography has been freezing those fleeting
moments. And, before all that, there was what we can call the grandmother of
Photography, the ‘Camera Obscura.’
Seoul
Photographic Art Museum is located on the cultural and art facilities of
Dobong-gu in the Northeastern part of the city, and the ‘camera Obscura’ has
the mission of documenting and providing a better understanding of Seoul’s
history and the way it has managed to balance innovation and tradition. The
‘Camera Obscura’ rooftop installation is an ideal way to showcase the
developing skyline of Seoul’s city view at the exhibition rooms and showcase
the sky view at the top of the exhibition area in the building.
WHAT IS
A CAMERA OBSCURA?
Camera
obscura (from Latin, meaning “darkened room”) is a device that varies in size
and can take the shape of a box or a whole room. A hole has been pierced on one
of the sides or walls, which lets the light into the box or room, projecting
the image on the other opposite wall or side. The device has been used in the
past in science fairs and even as a circus attraction, which makes it favourite
for any kind of public. There are more complex camera obscuras that use mirrors
to project image upwards and right-side-up, and they can also have lenses
sometimes.
HOW DOES
THE CAMERA OBSCURA WORK ?
A
Law of Optics that the ancients had already discovered serves as the base for
the Camera Obscura mechanism. Namely, light travels in a straight line, but
when some of the rays pass through a small hole pierced on thin material,
instead of scattering, the rays cross the hole and reshape on the opposite wall
(any flat surface held parallel to the hole) as an upside-down image. This
peculiar phenomenon was described already the manuscripts of Leonardo da Vinci
in the 15th century and by the mid-sixteenth century, lenses had begun to be
used to increase the brightness and sharpness of the image.
HOW
DOES THE ‘CAMERA OBSCURA’ WORK INSIDE THE MUSEUM
One
of the systems comprised of two lenses and a large periscope mirror was
installed on the very top of the building. Its closable and openable system.
when Its area needs a dark area, the pinhole will be closed to provide a dark
atmosphere for exhibition. On event, the pinhole will be open to show visitors
how it could be to realize a real camera. This system provides a great event
and experience for users.
WHAT IS
THE PURPOSE OF THE CAMERA OBSCURA IN OUR BUILDING
The
main purpose of the project is to use the structure and shape of the building
itself as a big camera. The camera obscura idea on the top of the building will
project the wide sky that could be seen from the roof. It can also be used on
the west and east surfaces of the building, which would allow the Camera to
show Seoul’s urban landscape across the gallery space.
ABOUT
THE FORM CONCEPT
“Photographic
Art Museum Design‘’ sets itself in contrast to the block-like structures that
surround it in Seoul, Korea. Museum Design’s fluid architecture embodies an
enlightened philosophical framework. The centre’s fluid exterior surfaces rise
from its surroundings to define a series of exhibition, education, and research
spaces within, inviting the urban fabric of the city into the heart of
building.
In
total 6,658.92 gross square meter on the museum’s four floors where you can enjoy
in real lifetime the photo experience and exhibitions of classic examples of
‘Camera Obscura.’ The exhibition part will be comprised of optical illusions,
puzzles, etc., providing guests with dizzying alternate realities and tricks
for the mind and the senses. Gamification will be a key element of these
exhibitions. Visitors are encouraged to get involved with everything, play with
it all, and unlike a lot of learning centers, there is nothing in this one you
are not allowed to touch. Its interior will be distributed over the 3rd and 4th
floors that hosts a wide variety of artworks of over 1,435 square meters of
exhibition. It s particular external form does not allow the entry of the
light. However, some of the exterior facade panels would be made openable,
closable, and adjustable for the times in which there will be need of daylight
in that area.
The use of containers as a building material
has grown in popularity over the past several years due to their inherent
strength, wide availability, and relatively low expense. Homes have also been
built with containers because they are seenas more
eco-friendly than traditional building materials such as brick and cement.(Wilkipedia)
Eco-Conscious Shipping Container Homes, Designed By Zigloo.ca In Victoria, British Columbia
ASHDOD PORT SHIPPING CONTAINER OFFICE
Architect: Potash Architects – Tel Aviv
JOSHUA TREE CONTAINER HOUSE
Architect: James Whitaker – London
THE CATERPILLAR HOUSE
Architect: Sebastián Irarrázaval – Santiago
RANDY BEN’S CONTAINER OFFICE
Architect: Randy Bens – Vancouver
Coossbox House by CG Architects, France
GRILLAGH WATER HOUSE – Patrick Bradley Architects, Ireland
Inspired by the rolling hills of Rwanda and the thatched design of the King’s Palace at Nyanza, Bisate sits woven between the lush growths adjacent to Volcanoes National Park.
Bisate reflects the innate organic culture of Rwanda and reflects sophisticated spaces around every turn. Craftily designed the spherical rooms and public areas add bespoke and sustainable solutions to the intricate and difficult surroundings.
Operator: Wilderness safari
SANDIBE
Inspired by the endangered pangolin, Sandibe is unique in its approach and response to the site.
Timber shingle structures curve up from the Okavango floor to give private sanctuaries to guests below the canopy of trees. Completely off-grid Sandibe treads lightly on the forest floor and ecosystems. Sandibe is habitation made manifest of the Okavango Delta.
Drive concept with three
electric motors as a worldwide first in the future mass production
New quattro generation
with electric torque vectoring
370 kW of power and 973
Nm (717.6 lb-ft) of torque for high level of dynamic handling and
agility
Audi is systematically moving forward with its e-offensive: The Audi e-tron and the Audi e-tron Sportback are becoming more agile, sharper and more dynamic as S models. The three electric motors, two of which are located on the rear axle, together provide 370 kW of boost power and 973 Nm (717.6 lb-ft) of torque. This allows the two purely electrically driven models to accelerate to 100 km/h (62.1 mph) in 4.5 seconds. The intelligent drive control raises vehicle safety, and dynamic handling in particular, to a new level: In addition to the electric all-wheel drive, there is the electric torque vectoring with active and fully variable torque distribution on the rear axle.
Standing still or on the move, the Audi e-tron is electrifying. Its expressive sill area, the electric tailboard and the light gray Single frame are indicators of the high-voltage technology that makes for a special driving experience. The electric SUV is powered by two powerful electric motors that are locally CO2-neutral and virtually silent. A new generation of the quattro drive, the electric all-wheel drive, ensures excellent traction and dynamics. It ensures the continuous and variable regulation of the ideal distribution of drive torques between the two axles – within a fraction of a second.
The new Audi e-tron S models will be the first electric cars worldwide with three motors in mass production. Their drive layout is based on the concept with two different asynchronous motors (ASM); the e-tron product line was designed in modular form in line with this from the start.
A key factor for the sporty character and outstanding transverse dynamics is the low and central position at which the battery system is installed. It gives the vehicle a range that is suitable for driving long distances. During far more than 90 percent of all decelerations, the Audi e-tron recovers energy solely via its electric motors. The electric SUV taps its maximum recuperation potential in combination with the integrated electrohydraulic brake control system. Audi is the world’s first carmaker to use such a system in an electrically powered series production vehicle. The cleverly designed aerodynamics also contribute significantly to its efficiency. One highlight of this concept are the optional virtual exterior mirrors – a worldwide first in a series production model. Not only do they reduce aerodynamic drag, they also take digitalization in the vehicle to a whole new level.
The Audi e-tron offers the spaciousness and comfort of one of the brand’s typical full-size models. Paired with high-quality materials and fine workmanship, it makes electric mobility a premium experience. This is also ensured by the comprehensive and reliable range of charging options with intelligent solutions for at home and on the go.
From navigation with the e-tron route planner, which displays the appropriate route with the required charging points, automated billing at the charging station and all the way to remote control via smartphone – the Audi e-tron is extremely well connected. It is equipped with the high-end media center MMI navigation plus including LTE Advanced and a Wi-Fi hotspot as standard. Numerous assist systems further relieve the driver. For example, the standard efficiency assist promotes an economic driving style by displaying predictive information and performing automatic recuperation. If the customer selects the adaptive cruise assist, the system can also brake and accelerate the electric SUV predictively.
The interior of the future e-tron S models has been kept in dark colors. A large arc connects the displays of the virtual external mirrors with the hood above the Audi virtual cockpit. The instrument panel is driver-oriented, the middle tunnel’s console rests on open side walls. The leather/Alcantara covers of the electrically adjustable sport seats and the gear selector lever feature a rhombus S embossing. The door sills and steering wheel feature S badges. On request, Audi can offer a super sport seat in leather with a rhombus pattern in black, rotor gray or Aras red, as well as an air-conditioned customized contour seat with perforated leather.
As Ottawa’s unique green builder, RND Construction provides unequalled advantages
Ottawa’s RND Construction is a trend-setting builder whose unique green homes offer unparalleled quality.
And that’s saying something these days, as the industry shift toward sustainability is stronger than ever.
“In a lot of cases, people are being greenwashed,” says Roy Nandram, President/Project Manager with award-winning RND Construction. “We make it a point to properly educateconsumers. They want to know what the real nuts and bolts of green building are, and we provide that. We are dedicated to making sure they get the truth and most up-to-date information.
“We treat every single design
or home that comes to us as unique, and then add green components. People come
to us for green homes and they’ve been relying on us since our inception years
ago.”
RND subscribes to a philosophy that promotes ‘green’ as a method of
constructing homes and buildings which utilizes environmentally-friendly
techniques while creating a sustainable and energy-efficient final product.
Nandram says the advantages are many, including long-term savings and numeroushealthbenefits
for the homeowners. Perhaps most importantly, he points out, it gives
homeowners an active role in protecting against climate changes and preserving
natural resources for future generations.
The benefits of green homes
are many, and RND fills an important niche – it offers a much-needed top-shelf
alternative to the status quo. This is essential, Nandram says, given the
current state of the climate, new environmental protection laws, and rising
costs.
The company realizes natural resources
are becoming scarce… and more expensive, squeezing already tight margins.
Despite these challenges, people continue to seek increasing levels of comfort
in their homes.
To that end, RND focuses on
incorporating design, comfort and operational efficiency into each project,
always with an eye on anet-zero possibility. The combination of all three
aspects helps to create an ideal living environment that is sustainable, as
well as stylish and cost-effective. (Note: A net-zero home produces the same
amount of energy that it consumes annually through renewable energy resources).
It is RND’s mandate to not
only build and renovate exceptional net-zero homes, but to be an educational
resource for the public in general on the overall benefits of green homes and net
zero.
RND regularly hosts free
seminars at its Design &Innovation Centre that are open to anyone who is
interested in learning more about green construction and materials. Topics
change per seminar but cover indoor air quality, HRV systems and other green
technologies.
Nandram, the president of the
Greater Ottawa Home Builders’ Association, also helps builders and renovators find
cost-effective innovations to meet any upgrades of the building code, while
stepping up and preparing for net zero by 2030.
“Great homes hinge on great design,” Nandram says. “When you combine green
innovation, high intention, sincere effort, thoughtful direction, skillful execution
and commitment, you generate a high quality home for the future.”
With over 30 years focusing
on green building, RND has a team that is technically trained in building
science and numerous green certifications, including R2000, LEED and net-zero
affirmations.
“Part of our vision is to
exercise leadership in the critical field of sustainability,” Nandram says.
“And our mission transforms that vision into reality. It is who we are, what we
value, and where our aspirations for the future of the environment, the
community and our own operations lie.
“We operate
in a changing environment and proactively pursue creative ideas that can
improve our construction processes. Our team takes a leadership position,
embraces change and makes decisions that bring value as well as the opportunity
to learn and share with each other and with the community.
“We work alongside experts in the field and people with values similar to ours,
people who believe in the uniqueness and environmental responsibility of
sustainable communities.
“We build
living environments for our clients, and workplaces for our team, that are safe
and healthy. We always aim to reduce environmental impacts and greenhouse
gases, improve indoor air quality, and eliminate volatile organic compound
materials and finishes.
“At RND
Construction, we are redefining what a beautiful home is by shifting the focus
to meet net-zero criteria. Beautiful homes come first, but we also help people
contribute to the protection of the environment. Net-zero homes offer a unique
opportunity to do just that.”
Web / rndconstruction.ca
RND Construction is a pioneer of building green
homes. The Ottawa company has many honours to its credit, including a Canadian
Home Builder’s Association award for the Production Home (2500 to 3000 square
feet category) with their R2000-certified Meadow model in Riverpark Green. With
its experience and commitment to green construction, RND Construction is
uniquely positioned to see the path forward for net-zero homes.
This project was located in Hoian City, an ancient town in Vietnam. The house has an advantage of natural and cultural background because Hoian is famous for hundreds of years old houses along with diverse and unique flora and rivers. Therefore, we formed the idea to design this house based on the filtering and promoting the cultural and natural values of the locality. Specifically, the architectural form is transformed from the impression of native plants, and the architectural space is transformed from the native residential space. Besides that, we pay attention to the variation in the use of materials and in spatial design or morphology. All aimed at creating a unique and newness of the house, but VRA Design still adapting to the local climate, comfortable and familiar to indigenous living habits.
Because the investors of the project frequently receiving many friends and relatives, they require the house design not only to ensure daily life but also to have some breakthrough and newness, which must create a lasting impression for other users staying here. Around that requirement, we set a design goal that besides the comfortable of homeowners, the architecture must also show the characteristics of local architecture, and there is a break in the form of the house to create a good impression.
The house was located in Cam Thanh, Hoian City, that is an area with lots of coconut palm and nipa palm. Nipa palm forest tourism here is a prominent activity, so that coconut and nipa have become a symbol of this land. We take the shape of the leaves or trunk of the coconut and nipa as the starting point for special structural design. Whereupon, inclined column structure was created that purpose is to both create a visual impression and create new but familiar space, which like the under coconut space or nipa space.
In terms of the overall spatial layout, we rely on the spatial layout of the old houses in Hoian Ancient Town, that is, using some small gardens to split the long house into three short blocks, that would increase the effect of lighting and ventilation like the ancients did. With the prediction that in the future. there is a high possibility that the two sides of the house will have other adjacent houses, so such treatment is suitable for both present and future the house will always have enough light and ventilation for human life.
Structural elements are presented in rough
concrete colors, some brick walls retain the image of the material without
plastering or painting, that helping to create a sense of
roughness, closeness, and forming many visual outstanding. The interior is
designed according to a simple trend, to ensure a harmonious feel, that
abundant but not confusing. Indoor and outdoor spaces were arranged with
many trees to bring abundance in the views. Not only that, the trees
can shade the west sunlight meanwhile creating a cool living space for
homeowners.
The vision for Kondan Resort goes beyond the primary purpose of providing hospitality with modern amenities at a scenic location, and seeks to address concerns related to its social, regional and environmental context. Only half the 30 acre property has been developed, with the resort facilities being restricted to 16% of the area, 10% allotted for rainwater harvesting and power generation, and 23% reserved for reforestation. Taking clues from traditional architecture, the built-form was evolved as a series of walls that define private and public spaces, and lend their peripheries to socio-economic activities reminiscent of historic citadels.
Maval is located in the hills that separate the cities of Mumbai and Pune, and contains a series of large man-made lakes built to supply water and hydroelectricity to these urban areas. Although scenic, the region remains remote and lacks basic facilities, with the primary source of income being small-scale paddy and dairy farms. The client, originally from Maval, chose to return with a business model that would also create livelihood opportunities and stimulate the local economy. The attempt then was to provide the urban visitor an expected level of comfort housed in a built-form that respects its context and does not alienate its neighbours.
Located on a slope along the backwaters of a lake, only a fraction of the site has been developed, and where construction was undertaken, footprints were optimized to respond to topography, exiting trees and natural waterways, with portions of the natural surroundings either contained or revealed as views. Imagined on the lines of a historic citadel, the site is sub-divided into zones of increasing privacy, stepped down along the hillside and defined by eight intersecting walls, each with a unique character specific to its purpose. The resulting interweaving of enclosed, semi-open and open spaces cater to different activities.
Reception and Restaurant:
accessed through the pramukhdwar (ceremonial gateway), the reception area creates an experiential
connection from public to private zone via a gently rising, narrow and
introverted lane that eventually opens onto the restaurant’s main deck with a
stunning view of the valley to the south.
Aamrai: four multi-level suites
situated inside a mango orchard, the spaces of each being draped around one or
more courtyards. Tarangan: a series of six cottages cantilevered off an axial
spine towards a grove frequented by fireflies. Swimming Pool: spreads organically through a cluster of
trees, ending in an infinity edge towards the eastern valley. Health club and Spa: located on the
north-eastern end on the site, the spaces open onto the forest, with parts that
are open to public, such as the indoor sports facilities and gym, being
accessed directly from the public area.
The walled campus lends its periphery to various elements of traditional public spaces that facilitate interactions and transactions between visitors and the local community. The kund(stepped reservoir), focal point for such activities, is flanked by the bazaar(shopping street) with workshops and stalls for artisans, a moha(Madhucalongifolia) orchard for weekly farmers’ market, and a hall for conferences or other informal gatherings.
Much of the building material was sourced from the site itself. Stone from the excavation of water bodies and foundations has been used extensively in various interpretations of vernacular techniques ranging from dry pack to dressed masonry to composite boulder concrete. During the course of construction, objects such as stone light fittings were sourced from local craftsmen, and daily-wage labourers from nearby villages were trained in masonry or other vocational skills that would guarantee them employment as part of the resort’s maintenance staff.
In India, where multiple and diverse cultures have evolved over generations of living in a specific geographies, regional identities and traditional wisdom are losing their relevance in an increasingly uniform global culture. Ideas of progress and permanence have found common expression in the incongruous concrete boxes found across the country.
This project presented us with an opportunity to create a model
for development that is as much about cultural sustainability, and the focus
then was not merely inclusivity, but rather a celebration of the context. And
for us the greatest reward was that, after seeing the resort, someone in a
neighbouring village built a stone house for the first time in decades.
A MULTIPLE ARCHITECTURE REVEALING THE CULTURAL AND NATURAL FILIPINO HERITAGE
In the heart of East Asia, Cebu, in Cebuano Sugbo,is one of the largest islands in the Philippines. The eponymous capital of the Visayas province – Cebu City – is the oldest city in the archipelago. It was the first Spanish colony and was previously discovered by Portuguese explorer Fernando de Magellan in 1521. Cebu City is now the main maritime shipping port and the main economic business center specializing in the New Information and Communication Technologies (NICT) sectors.
The project is located inside the 50 hectare Cebu Business Park at the corner of Samar Loop and Avenue Cardinal Rosales. The objective is to construct a residential building with double environmental certification (LEED + BERDE) which offers the perfect balance between mixed cultural heritage and natural heritage of unparalleled splendor.
Looking for radical solutions to reduce the global carbon footprint, Vincent Callebaut Architecture has designed a 32-story, 115-meter high tower built of solid wood, as it is theonly natural, abundant, and renewable material. This organic tower integrates the principles of passive bioclimatism and advanced renewable energies. It was named “The Rainbow Tree” because it is an ode to Eucalyptus Deglupta, also known as Rainbow Eucalyptus, an iconic and colorful tree from the Philippines.
“The Rainbow Tree” tower is adorned with the most beautiful plant essences from the neighboring
tropical forests. This luxuriant dress of more than 30,000 plants, shrubs, and tropical trees draws a
flourishing spiral in the colors of the rainbow and brings a breath of
freshness to the heart of Cebu Business Park which is mainly built of concrete
and steel.
A MODULAR MASS TIMBER TOWER INSPIRED BY TRADITIONAL “BAHAY
KUBO” HOMES
The Rainbow Tree is a staggered geometric stack of 1,200 modules,
each with sides measuring 4 meters sides and a height varying between 3.2 to
4.8 meters. All these mass timber modules are prefabricated and standardized in
a factory with a very high degree of precision. They are directly inspired by
the “BahayKubo” (literally, cubic
houses, also known as “Nipa Huts”).
These indigenous nomadic houses were made of natural materials
from the forest such as wood, bamboo, and palm leaves. Before the arrival of
the Spanish colonizers with their stone-base constructions, this traditional
Filipino rural house originally rested on stilts and was anchored to the trunk
of trees near the rice fields, coconut palms, and orchards.
These bio-based “Bahay Kubo” breathe! They are in
symbiosis with nature. Their architectural identity reveals that they are based
on ventilation, large open interior spaces, and terrace networks adapted to the
tropical climate. These three
foundations are the basis of our architectural concept for building a CLT
(Cross Laminated Timber) tower.
Invented in the 1990s in Austria and Germany, this construction technique consists of superimposing perpendicularly wooden slats and connecting them together using structural, now-organic adhesives such as tannins, lignin, cellulose, or even starch.
The Cross Laminated Timber manufacturing process requires much less energy than concrete or steel, and moreover it does not generate greenhouse gases. As a reminder, producing 1 ton of concrete generates 2.42 tonsof CO2 and producing 1 ton of steel generates 0.938 ton ofCO2.
In terms of fire resistance, remember that wood burns slowly, does not release toxic fumes, and transmits heat 250 times slower than melting steel and 10 times slower than concrete which cracks under the effects of the flames.
Being built from trees cut and harvested in short circuits in
the archipelago in the heart of eco-responsible forests – where a cut tree is
equal to a replanted tree – means that the Rainbow Tree is a real carbon
sequestration well. In fact, during the growth of trees through natural
photosynthesis, the stored carbon is found “trapped” in solid wood
and is therefore not released into the atmosphere. For 1 ton of wood produced,
about 0.9 tonnes of carbon is confined.
This means we are talking about a building with a negative
carbon footprint!
MULTI-COLORED, CARBO-ABSORBING, AND DEPOLLUTING BALCONIES
Ontario's premier magazine for sustainable building and architecture